Sunday, February 13, 2022

Smart Art (How Ya Gonna Keep 'em Down on the Farm After They've Seen Paree Edition)

 


I had to go to France to appreciate Iowa.

--Grant Wood, on his famous 1930 painting American Gothic, so-called because the window on the top floor of the farmhouse is in the Gothic style, much like you would see on a medieval cathedral in Europe.



The actual house, in Eldon, Iowa. Built in 1881-82, the top floor window is thought to have been purchased through a mail order catalog.



By way of comparison, the pointy arch-shaped windows of a medieval cathedral in Europe, one that very nearly burned to the ground a few years back.



These guys never made it to that Iowa farmhouse. 



Nan Goldin Graham, the artist's sister, and Dr. Byron McKeeby, the artist's dentist.




The artist himself in a 1932 self-portrait, a strapping Midwestern farm boy made good. Too strapping for some. A colleague named Lester Longman at The University of Iowa's School of Art tried to get Wood fired as a teacher, publicly citing the limitations of an artistic movement known as Regionalism, of which
American Gothic was a prime example. Yawn. However, the complaints were much less esoteric behind closed doors. Longman complained to university officials about Wood's "personal persuasions", and that he had a "strange relationship" with a man helping him write his autobiography. It didn't help matters any that some of the rural workingmen in Wood's paintings occasionally felt the need to take off their shirts as they toiled under the hot sun. Remember, this was around 80 years ago, and a least a quarter of a century before Stonewall. What for some of us today is another welcome addition to the growing LGBTQ roster of historical figures, and what for the art historian adds another layer of meaning to Wood's work, would have been career-damning at the time, with a possible additional visit to a jail cell or mental ward. Fortunately for the artist, nothing was ever proven, and Wood kept his job. He died of pancreatic cancer in 1942, one day short of his 51st birthday. 


As for the supposed artistic limitations of the Regionalist Movement (which also counted Thomas Hart Benton as a member), the main complaint seems to be that it romanticized rubes, celebrated unsophistication, and in its pursuit of the parochial, ignored the richness of the wider world. But perhaps Grant Wood, an American expatriate in Europe throughout much of the 1920s, appreciated how that wider world could make its way to some Iowan rube's house via a mail order catalog. Multiculturalism on the prairie.



Besides, there are some sophisticates who DO seek out the simplicities of rural living:



Nice homage, but what about the windows?


Arched, but not nearly pointy enough to be Hooterville Gothic, I'm afraid.

 


  


 


  


 

10 comments:

  1. That art piece is so very notable. I have seen it (replicas) so many times. Green Acres! So very funny that with all their money, they couldn't update their farm house. But I guess that was all part of the humor.

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    1. JM, when the only salesman in town is Mr. Haney, even a rich lawyer takes what he can get.

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  2. Interesting post! Nice to see the actual "American Gothic" house!

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    1. Debra, Wood narrowed the house a bit for the picture (along with his sister's face.)

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  3. Hi, Kirk! This was an interesting art history lesson, good buddy. I never noticed the shape of the window in American Gothic, never knew the identity of the couple that posed for the famous painting, and I enjoyed learning about the artistic movement known as Regionalism and the artist, Grant Wood. It's fascinating that his work reveals a fondness for muscular male physiques. Perhaps he should have had that dentist pose bare-chested. It's good to know he was not jailed or institutionalized over his "peculiar nature," but sad that he died so young. I liked Eva Gabor more than Zsa Zsa and, if you're keeping score, I prefer Mary Ann on Gilligan's Island and Billie Jo on Petticoat Junction. Strangely, I fancy Miss Hathaway on Beverly Hillbillies. Have a super week, good buddy Kirk!

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    1. Shady, I think that dentist's chest-baring days were way behind him when that picture was painted. Zsa Zsa was the Kim Kardashian of her day, a socialite who kept the gossip industry at full operating capacity. Eva, on the other hand, had genuine acting talent, at least when it came to comedy. Yet she was never quite recognized for that. Or recognized at all. I've had a number of people insist to me that it was Zsa Zsa who was in Green Acres, and that annoys me to no end. Can't these people read opening credits? It was EVA! EVA! EVA! EVA! EVA! EVA! EVA! EVA! EVA! EVA! As for Billie Joe on Petticoat Junction, which one? There were several.

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    2. Hi, Kirk! I'm back with a bonus comment, good buddy. I was mad about Jeannine Riley, the actress who played Billie Jo (no "e"... you're thinking of Uncle Joe) on the first two seasons of P-Junction. A few years later, she became a "Hee Haw Honey."

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    3. The producers of Hee Haw must have been especially taken with characters named Billie Jo on Petticoat Junction because the second actress to play BJ, Gunilla Hutton, also ended up on the sticks version of Laugh-In. She played the miniskirted Nurse Goodbody to Archie Campbell's Doctor. The third Billie Jo, Meredith Macrae, never made it to Hee Haw. I don't know why. Too cosmopolitan, maybe.

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  4. Very cool. I had never seen a photo of the models. I love those gargoyles, too!

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    1. I'd like a pair of gargoyles outside my apartment window, Mitchell, but I think the landlord might forbid it.

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