Quips and Quotations (Uncommonly Good Edition)

 

1946-2025

Choosing the freedom to be uninteresting never quite worked for me.

--Diane Keaton (née Hall)

 

Read All About Her

 

 

 

Joan Kennedy, the oft-troubled and soon-to-be-divorced wife of Senator Edward M. Kennedy, glances up at herself in 1981.

1936-2025

 

 

 

Quips and Quotations (Not-So-Missing Link Edition)

 

When, in the early 1960s, I brazenly used such words as "childhood", "adolescence", "motivation", "excitement", and "mood" I was much criticized. Even worse was my crime of suggesting that chimpanzees had "personalities". I was ascribing human characteristics to nonhuman animals and was thus guilty of that worst of ethological sins—anthropomorphism.

--Jane Goodall (1934-2025)

Ancient Rights

 

Norman Rockwell. It's not his birthday or anything. He just happens to be on my mind. I think as time goes by, Rockwell's work is seen as increasingly sentimental, increasingly old-fashioned. Here's one such example:

Freedom of Speech, 1943

Given the current political climate, I'm afraid this particular sentiment may be getting more old-fashioned by the minute.

 This 1976 paean to freedom of the press must be old-fashioned, too. After all, I watched it on TCM!

1936-2025

  

 

 

 

Under the Radar: Mae Questel

 

Thespian Mae Questel was born on this day in 1908 (she died in 1998.) If you don't recognize the name, you at least may recognize the iconic cartoon character to whom she lent her voice:

 

 

When Betty Boop made her animation debut in 1930, she was a dog. I don't mean that unkindly, that she was a homely human woman. No, I mean that literally. She was neither homely nor human but a member of the species Canis familiaris. Allow me to explain. At the time another anthropomorphic pooch named Bimbo was animation studio head Max Fleischer's most popular character. Fleischer came up with a story for a cartoon short that had Bimbo as a dishwasher in a nightclub in love with a sexy canine singer, and asked his leading animator Grim Natwick, to come up with a design. Natwick's Betty was similar to the later human version, except that she had droopy ears and a little black nose. The subsequent short, "Dizzy Dishes", did well, and Betty remained both a supporting player and a sexy dog (she's seen in a lacy bra in one pre-Code cartoon) for the next ten or so shorts (sources vary.) Theater operators made it clear to Fleischer that they wanted to see more Betty and less Bimbo. And that it wouldn't hurt to remove any urge towards bestiality on moviegoers' parts if they were given an actual member of the species Homo sapiens to drool over. And so Betty was humanized, her droopy ears replaced by earrings, and the dark nose transformed into a pert dash. As for Bimbo, he stuck around for a while as a supporting player, remaining a canine. Needless to say, the relationship between him and Betty from that point on was strictly platonic. Around this time (sources again vary), Mae Questel took over vocal duties from Betty's original portrayer Margie Hines and enacted the squeaky-voice flapper for eight years, longer than any other actor. However, that wasn't Questel's only acting achievement, as you'll find out in this interview from the 1980s:

 

Still sounds like Betty, doesn't she? Probably the reason Questel was asked to do the character one more time in 1988's Who Framed Roger Rabbit?:

Recently, a musical based on Betty Boop opened and very shortly thereafter closed on Broadway. Perhaps if the show's producers had found some psychic who could have channeled Mae Questel's vocal talents, it would still be running today.

Cabinet Cabaret

 

 

Overture, curtain, lights
This is it, the night of nights
No more rehearsing and nursing a part
We know every part by heart
Overture, curtain, lights
This is it, we'll hit the heights
And oh what heights we'll hit
On with the show this is it.

"Mr President, you ARE the Second Coming!"

 

Outback Pride

 

I just didn’t believe I was up there in fishnets and high heels actually doing it...It’s one of my strengths as a performer. I’ve got a kind of more developed feminine side so it was a chance to knowingly explore that.

--British actor Terence Stamp, on playing transgender woman/drag queen performer Bernadette Bassenger in the 1994 Australian comedy The Adventures of Priscilla, Queen of the Desert.

1938-2025