...dancing!
Happy New Year
from Shadow of a Doubt
...dancing!
from Shadow of a Doubt
Actually, that's model Dorian Leigh and actor/singer/dancer Ray Bolger on this 1946 magazine cover. Bolger makes a rather scrawny St. Nick, don't you think? He could use a pillow under that outfit, or maybe just some...
...straw. Hey, it's worked in the past.
Rob Reiner's violent death is shocking, but no more--in fact, it arguably should be a bit less--shocking than the violent deaths at Brown University and Australia's Bondi Beach, both of which had a higher body count. Interestingly, the All in the Family star and This Is Spinal Tap director did share one characteristic with the Bondi victims. He was Jewish and they were Jewish, but in Reiner's case anti-semitism does not appear to be a motive in his killing (instead, as of this writing, mental illness and the accompanying family strife it so often causes seem to be contributing factors.) Still, Reiner's life is worth your attention not for how it ended but for its contributions to acting and cinema. Eventually it went beyond those art forms. Reiner was every bit as progressive as Mike Stivic, the character he played on AITF. That progressiveness was spun-off not into its own TV show but the real-world body politic. Reiner supported many causes, but I'm going to focus on just one right now. In 2008, Reiner co-found The American Foundation for Equal Rights to help fight California's Proposition 8, which banned same-sex marriage in the state. "We don't believe in separate but equal in any other legal position except this," he said in explaining how same-sex marriage at the time was outside the Constitution. Thanks to a court battle that Reiner's organization pursued, the Ninth Court of Appeals eventually overturned the proposition. Not bad for a "meathead."
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| 1947-2025 |
Hot off the Epstein files:
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| Steve Bannon, left, and Epstein. |
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| Left to right: Epstein, unidentified (duh!) woman, and Woody Allen. |
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| Left to right: Segway inventor Dean Kamen, Epstein, and Richard Branson. |
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| Epstein and supermodel (so where's her cape?) Ingrid Seynhaeve. Left to right: Jimmy Buffett, Buffett's wife Jane Slagsvol, Bill Clinton (as the signature indicates), Ghislaine Maxwell, and Epstein. |
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| In the center--what the hell, I'll let you figure that one out yourself. |
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| Peter S. Lewis Building, Case Western Reserve University, Cleveland, Ohio |
Apparently, no thought it all that unusual when the Shawn fell face first onto the stage right in the middle of his act. After all, he had a very physical, manic comedy style noted for its utter unpredictability. As far as the audience was concerned, it was a supreme act of slapstick that put Dick Van Dyke's trip over the ottoman to shame. Except in Shawn's case, Mary Tyler Moore and Morey Amsterdam didn't run out and help him to his feet. Shawn just laid there for a few minutes until a stagehand (who at first also thought it was part of the act) came out to check on him. Someone in the audience, thinking the stagehand was part of the act, yelled out, "Take his wallet!" Soon a doctor showed up, and then paramedics. The audience was asked to leave, though a few in the theatre stuck around a little while longer, maybe thinking there that, sooner or later, there must be a punchline.
At this point you may be thinking, "Well, if I were in that audience, I would have known something was wrong right away." Well, you know what they say, hindsight is a TV newsmagazine. Meanwhile, here's Dick Shawn sometime in the 1950s. And don't worry. He survives this one:
Watching that, it's hard for me to know if he was parodying old-time show biz or in fact embodying it. One person reportedly influenced by Shawn was Andy Kaufman (whose own death from cancer was thought by some to be a put-on.) After viewing this clip, I can believe it.
Their paths crossed?! I luv it!
Growing up I was unaware of Dick Shawn's stage act. Instead, I knew him as someone who kept popping up in 1960s comedies. It's a Mad, Mad, Mad, Mad World was one. What Did You Do in the War, Daddy? was another. And then there this much more briefly titled 1967 film:
If you squint at the row of pictures at the bottom, you'll see Shawn, third from the right.
Years later, in this interview conducted by Eight is Enough star Dick Van Patten (?), Shawn was asked about Brooks first directorial effort:
Funny, sure, but how will it play in Nuremburg?