Saturday, February 22, 2020
Vital Viewing (Runs in the Family Edition)
No, not him.
Not him, either. It's a female I'm looking for!
You don't understand--a living female!
That's more like it! Actress Drew Barrymore was born on this day in 1975. The granddaughter and great-niece of a trio of once-famous thespian siblings (and today more well-known than any of them), Drew first achieved fame when she was only seven years old as one of three children who helped a homeless alien from outer space get back to the mother ship in 1982's E.T. the Extraterrestrial. That sudden debut led to a lot of hard partying (not that there aren't persistent failures who also do that), and a kind of breakdown, which she talks about in the following interview:
I must admit, I'm usually quite cynical about these Hollywood rehab-with-a-happy-ending stories. There's been so many over the years that I'm beginning to wonder if it's because of some clause in famous people's contracts. I normally would have posted a far different clip in celebration of Drew's birthday, except this is Howard Stern she's telling all this to. Say what you want about the man, but once he decides to keep his considerable snark in check (and sometimes even when he decides not to), he's an excellent interviewer, and certainly not one to be bamboozled by celebrity phoniness. So, Drew, if Howard buys your story, then I buy your story, for whatever the latter transaction is worth (a pack of chewing gum, perhaps?)
Of course, even if she went in rehab a bad girl and came out a good girl doesn't mean she can't still play a bad girl in a movie. Here's Drew in what, after E.T., is probably her most famous film role, the title character of 1992's Poison Ivy:
I was surprised to learn this film tanked at the box office. Everyone I know seems to have seen it or at least heard of it. But what happened is it later became a hit on cable, video, and DVD, and is now regarded as a latter-day noir classic, thanks in large part to Barrymore's performance as a teenage femme fatale.
Barrymore said in the Stern interview that after she got out of rehab, she went to stay with, of all people, David Crosby. But I found out that this was after Crosby's own stint in rehab (as well as jail), and the stay came about because he and his wife were both committed to sobriety. Barrymore also mentioned that she met Neil Young while there. So it's only appropriate that we finish with this ode to the domestic life by Crosby, Young, and two other dudes who may also have also paid a visit from time to time:
Stern forgot to ask Drew about the two cats in the yard.
Sunday, February 16, 2020
Quips and Quotations (Ecological Comeuppance Edition)
It costs me never a stab nor squirm
To tread by chance upon a worm.
“Aha, my little dear,” I say,
“Your clan will pay me back one day.”
--Dorothy Parker, "Thought for a Sunshiny Morning"
Sunday, February 9, 2020
In Memoriam: Kirk Douglas 1916-2020
I fell a bit behind this weekend and am unable to give Kirk Douglas the sendoff he deserves. Suffice to say he was one of the most compelling, exciting, and vibrant actors ever to come out of Hollywood. How best to describe his acting style (beyond compelling, exciting, and vibrant)? The man was the closest human equivalent to an active volcano to ever appear on the silver screen, and we in the audience might as well be the city of Pompeii. Fortunately, the analogy stops there or else we're covered with lava. It's enough that we get the wind knocked out of us. A succession of good guy roles later in his career obscures the fact that for a while in the 1950s he was one of the great movie antiheroes, right up there with Marlon Brando, with the added attraction that you could actually make out was Douglas was saying (or hissing.) Good guy or bad guy, his characters lived, and often loathed, life to the fullest. His characters also quite often died to the fullest. Looking at his filmography, I count at least 12 death scenes, and I haven't seen every Kirk Douglas movie so there may be more. About half the time his characters deserved their demises, the other half he played the martyr, but usually not before he killed someone else on his way to his reward. Hey, fair is fair. These were his good guy roles!
I do have enough time this weekend to present you scenes from his various films. So go put on your hazmat suits. Here's Kirk Douglas at his foot-stomping, muscle-flexing, vein-popping, eyeballs-glaring, nostril-flaring best:
Champion (1949)
Young Man with a Horn (1950)
Ace in the Hole (1951)
Detective Story (1951)
The Bad and the Beautiful (1952)
Lust for Life (1956)
Gunfight at the OK Corral (1957)
Spartacus (1960)
Had enough lava? Here, from 200,000 Leagues Under the Sea (1954), is the lighter side of Douglas:
He was slumming.
Friday, February 7, 2020
Zenith
Here's a between-the-world wars power couple for you, Sinclair Lewis and Dorothy Thompson. Husband and wife were equally famous in there day, but I'm afraid Thompson has more or less sunk into obscurity, whereas Lewis is still fairly well-known. This is due to the fact the latter is now part of the literary canon (thanks in large part to winning a Nobel), and if you take a college literature course, he's one of those dead white males you have to read if you want to pass, graduate, and get a job writing ad copy for electronic billboards. However, you don't really need to have Lewis forced upon you. You can read him simply because his 80, 90, and 100-year-old books are...readable. More than that, they're actually relevant. Works such Main Street, Babbitt, Arrowsmith, and Elmer Gantry satirize provincialism, materialism, pharmaceuticals, and born-again con men. Like I said, relevant. In fact, the current U.S. President could have come out of a Lewis novel.
Fiction is often written with an eye on posterity. You write it now and hope it can still be appreciated a hundred years hence. However, journalism, Dorothy Thompson's chosen profession, is written in the here and now. Of course, the subject matter journalists cover can be of interest 80 or 90 years hence, but as history, written by historians living a 80 or 90 years hence. The journalism of the here and now may very well still exist in those far-off history books, but as the footnotes and bibliography in the final pages, proof that the historian did his or her research. So if you're an avid footnote and bibliography reader, you've heard of Thompson. Or came across her in a biography of her husband. Or...you've read a biography of Thompson herself. There's been at least three in the 59 years since her death. She did a lot of living in what used to be the here and now.

Originally a suffragette, Thompson decided once she had the right to vote that learn a little bit about the world before pulling a lever for this candidate or that. Journalism seemed a good way to accomplish that. A foreign correspondent in Ireland, she interviewed a leader of the Sinn Féin party. She then headed for Vienna where she met John Gunther, a highly respected journalist of the day (though today he may be best known for the rather sad book Death Be Not Proud, about his son who died of cancer.) For a while she was the Chief of the Central European Service for the Philadelphia Public Ledger. Two years later she switched to the New York Post (this was decades before Rupert Murdoch got his greedy little hands on it), and became head of its Berlin bureau, where she witnessed the rise of National Socialism, better known as Nazism. In 1931, she interviewed Adolf Hitler, who at the time something akin to a congressman. He failed to impress Thompson, who described him in her subsequent book I Saw Hitler as the "very prototype of the little man." Once the little man became Chancellor (akin at first to a president, then to a dictator), he had Thompson kicked out of the country, and then spent the rest of the 1930s and the first half of the 1940s looking for ways to impress her. No, no, no, I shouldn't lay all that on Thompson. Hitler clearly had issues, even as people to this day disagree what those issues were (rejection to art school? Syphilis? A missing testicle?) Back home in the United States, Thompson was asked to write a column for the New York Tribune titled "On the Record". Soon carried by more than 170 newspapers, giving her a readership of over ten million people, she became one of the most popular syndicated columnists, and the second most popular syndicated female columnists behind First Lady Elinor Roosevelt. NBC took notice, and hired Thompson as a radio commentator. Thompson didn't waste her fame on trivialities, as she became a leading spokesperson against the rise of fascism. What did her husband think about all that? Lewis was worried about fascism, too, and not just its rise in Europe. He wrote a novel in 1935 titled It Can't Happen Here about an American dictator (according to Amazon, there's been a spike in sales of late. I can't imagine why.)Unfortunately, their shared political beliefs wasn't enough to save the marriage. it lasted just 14 years and produced one child, a son. What went wrong? Here's one clue. Lewis joked to his friend, the journalist John Hersey (best known for the book Hiroshima), that he was going to divorce Dorothy Thompson and name Adolf Hitler as a co-respondent. Of course, no such assignation took place. I take it to mean that Lewis didn't like all the globetrotting his wife's job required. Should we then see Sinclair Lewis as a male chauvinist who though a woman's place was in the home? That would be at odds with both his literary output and his romantic life. Lewis was attracted to career women (his wife before Thompson was also one) and this is reflected in his novels. In fact, the heroine in Main Street is a career woman. That book and others he wrote further criticizes a society that forces women to be stay-at-home wives, some 40 years before Betty Friedan made the same argument. Then again, writing about career women in the abstract is one thing. Marrying one may have caused him to blink.
There were other problems, like infidelity. Thompson had affairs with both men and women. Despite Lewis' rather ghoulish appearance (hoping to rid his face of acne scars, he tried expensive radium therapy that only made things worse), he used his fame as a novelist to bed a girl on occasion. But his real mistress was the bottle. An alcoholic long before he met Thompson, Lewis would pass out in the midst of social gatherings, embarrassing Thompson. He also sometimes passed out in their bedroom, which brought it own humiliation. But even minus adultery or booze, the union might not have lasted. They were both writers but different types of writers, he a novelist, she a journalist. Novelists tend, and are even compelled, to be homebodies, with as limited contact with the world as possible (which is why some of the more successful ones end up in cabins in the woods.) Journalists, on the other hand, often work erratic hours and are away from home quite a bit. These two just didn't see each other all that often, and sometimes absence makes the heart grow fouler. The divorce finally came in 1942, albeit without Hitler's name being dragged into it. Some things fortunately don't happen here.
Labels:
celebrity,
Dorothy Thompson,
journalism,
novels,
Sinclair Lewis,
writing
Saturday, February 1, 2020
Quips and Quotations (People Will Talk Edition)
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| Circa 1988 |
Whether I slept with her or not is irrelevant. I'm perfectly willing to have people think that I did.
--Madonna
It was really fun. We would go to parties and be bitchy--we were bitchy to Joan Rivers....I had a little crush on her, and I loved that people were, like, "Ooh, Madonna likes Sandy!"
--Sandra Bernhard
Labels:
celebrity,
friendship,
gossip,
LGBTQ,
Madonna,
Sandra Berhard
Sunday, January 26, 2020
Vital Viewing (Oxford Faction Edition)
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| 1942-2020 |
It was a mere three weeks ago that I put up a Monty Python-related post. Well, here's another, and for the saddest of reasons. Terry Jones has now joined fellow Pythonite Graham Chapman in...
...the Hereafter.
But before he's allowed in, Jones first might have to answer to...
...the Almighty Himself!
(Just don't grovel, Terry. If there's one thing God can't stand, it's people groveling.)
As a fan of Monty Python's Flying Circus and the feature films that sprung from it, I submit the following video clips as evidence for Terry Jone's admission into Heaven.
First up, here's Jones talking to Conan O'Brien:
Jones mentioned an Oxford/Cambridge split among the Monty Python troupe. Here's the Oxford-educated Jones in a sketch with the Cambridge-educated Eric Idle:
That's John Cleese at the end, another Cambridge alumni. No wonder Jones was kicked off the set.
Above is Sir Bedivere, one of the Knights of the Round Table. Never mind why he's throwing a sword into a lake. It's not germane to this post. Only know that Terry Jones played Bedivere in the feature film Monty Python and the Holy Grail. In this clip he calls upon his great wisdom to decide if an accused witch is in fact what's she's accused of being:
I know what you're thinking. He wasn't being logical at all! Well, here's a diagram of Bedivere's reasoning. study it carefully:
Now are you convinced?
The Monty Python troupe were all males. If a sketch has a role for a female, they would sometimes get outside help (usually Carol Cleveland, above), but more often than not...
...just played those roles themselves. This continued in the movies. Here's Jones as the mother of a Messiah:
No, no, no! Not the Messiah who said (depending how far away you were standing) "Blessed are the cheese-makers" and "the Greeks shall inherit the Earth," I mean...
...this Messiah (the aforementioned Cambridge-educated Chapman) and his Oxford-educated mum. Let's have a closer look:
Even though Jesus (actor Kenneth Colley, in the film's only non-comic role) and Brian are shown to be two different people, Monty Python's Life of Brian generated its fair share of...
...controversy.
So how's Terry Jones going to explain that to God?
Well, if there ever was a movie that argued against worshiping false idols, it's that one.
Then there's Monty Python's Meaning of Life. Unlike argably Life of Brian, it was neither blasphemous nor heretical. Nevertheless, you may find the following scene disturbing anyway, especially if you have a weak stomach. If you have a strong stomach, after watching this scene you may end up with a weak one. Here's Terry Jones as the unforgettable Mr. Creosote:
I was going to reserve a table, but I think I'll get carry-out instead.
This brings us all back to God (seen here in human form as W.G. Grace, considered one of the greatest amateur cricket players of all time.) Would he let Terry Jones into Heaven? I think so. If Monty Python was about anything, it was about the complexity and subsequent absurdity of life, and I think that's something a Supreme Being had a little to do with.
Surviving Python members are John Cleese and Eric Idle, both of Cambridge, Michael Palin, who went to Oxford, and Terry Gilliam who went to California's Occidental College. Hmm, it would seem Cambridge has the upper hand, but as Gilliam once pointed out in an interview, Oxford and Occidental both begin with the letter O. There's a certain Python logic to that.
Labels:
comedy,
Monty Python,
movies,
television,
Terry Jones
Tuesday, January 21, 2020
Quips and Quotations (Comics Continuity, or Lack Thereof Edition)
I decided it was time to let somebody die.
--Milton Caniff, writer-artist of the once-popular (it ended in 1973) comic strip Terry and the Pirates
Please take the skin off the artist who murdered Raven Sherman.
--Letter to the Editor
In 1941 Caniff precipitated a national incident by permitting one of his characters the almost unheard-of comic-strip prerogative of dying. The victim in this case was one Raven Sherman, an American heiress for whom Caniff had won unusual sympathy by portraying her as an undaunted and high-hearted young lady overcoming all obstacles to aid the Chinese in resisting what Caniff, at the time, was calling the Japanese “invader.” Miss Sherman was rudely pushed off a truck, and subsequently died of her injuries. She was buried on a lonely Chinese hillside in a ceremony so moving that millions of funny-paper disciples were plunged into their own peculiar kind of melancholia. Flowers poured into the offices of the Chicago Tribune-New York News Syndicate, which distributes Terry and the Pirates, and several hundred college students in the Midwest felt constrained to bare their heads and turn toward the east in a last reverent gesture.
--Collie Small, “Strip Teaser in Black and White,” The Saturday Evening Post, August 10, 1946
It saddens us to have to say that the whiplash effect ["SNAP!"] she underwent when Spidey's webbing stopped her so suddenly was, in fact, what killed her. In short, it was impossible for Peter to save her. He couldn't have swung down in time; the action he did take resulted in her death; if he had done nothing, she still would certainly have perished. There was no way out.
--Marvel Comics editor Roy Thomas
Gentlemen,
As you said, Spider-Man #121 was a shocker. Frankly, I wonder what kind of home life you people must have, or had, as children.
--Letter to the Editor
I was just getting ready to go to Europe on some sort of a business trip...to meet somebody to discuss something about Marvel. And I think I wasn't thinking too clearly, because when they said, "We'd like to kill Gwen Stacy," I said, "Well, if that's what you want to do, okay." All I wanted to do was get them out of the office so I could finish packing and get out of there...and when I came back and found out that Gwen had been killed, I thought "Why would they do that? Why would Gerry write anything like that?" And I had to be reminded later on that I had perhaps reluctantly or perhaps carelessly said "Okay" when they asked me.
--Marvel Publisher Stan Lee, who by 1973 had left the writing and editing of the comic books to others.
She was a nonentity, a pretty face. She brought nothing to the mix. It made no sense to me that Peter Parker would end up with a babe like that who had no problems...So killing Gwen was a totally logical if not inevitable choice.
--Spider-Man scribe Gerry Conway
To this day people ask me for drawings of Gwen Stacy, and tell me how it hurt them when she died. And I tell them the story when [Dude Hennick's] girlfriend Raven Sherman died in Terry and the Pirates. I was 10 years old, and for the first time I remember grown-ups talk about a comic strip character as if they were alive. I remember somebody said, "Did you hear that Raven Sherman died?" And I thought to myself, "Wow! This grown-up thinks of her like I think of her. That that's a real woman." And he says, "Isn't that amazing that Raven Sherman is dead?" That's the closest I've come to that kind of immortality, when people tell me that they still think about the day Gwen Stacy died. You know how great that makes me feel? I want to buy them a drink.
--Spider-Man artist John Romita Sr., who, in collaboration with another artist, Gil Kane, and writer Conway, chronicled the demise of the lovely Miss Stacy.
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