Quips and Quotations (Babes in Toyland Edition)

 

 

If you put the doll in the Dreamhouse and she puts her hands in the air, she can touch the ceiling. She is strikingly out of scale. It’s the same with the car. Barbie never quite fits because her legs don’t bend. We worked it out to be 23% smaller than human size for the sets. What this did is when you built it for real, you made the actors seem bigger in the house. That gives it a toy quality or what we found out Mattel calls 'toyetic'. Finding what it is that makes it a toy.

--Barbie production designer Sarah Greenwood 

To my mind, we were creating a toy. A toy is tactile, a toy is real. Everybody knows what’s CGI. Your sixth sense will tell you—even children will know. So, with the painted backdrops, it just gave everybody the belief that you are in the toy box, you are in there, you are a toy.

--Barbie set decorator Katie Spencer

Sterling Structures (Memorial Day Edition)

 

 It used to be much simpler to build a monument. The roll of honor on bronze tablets, or the statue of the fallen warrior holding a flag appeared predictably on the village green. Anonymous generals and unknown soldiers furnish innumerable traffic islands. Forgotten heroes dot the nation's parks. The uniform changes, the heroes sit or stand or occasionally ride a horse, but the message remains the same: a noble cause well served.

Nowadays, though, patriotism is a complicated matter. Ideas about heroism, or art, for that matter, are no longer what they were before Vietnam. And there is certainly no consensus yet about what cause might have been served by the Vietnam War.

But perhaps that is why the V-shaped, black granite lines merging gently with the sloping earth make the winning design seem a lasting and appropriate image of dignity and sadness. It conveys the only point about the war on which people may agree: that those who died should be remembered.

--The New York Times

I thought about what death is, what a loss is. A sharp pain that lessens with time, but can never quite heal over. A scar. The idea occurred to me there on the site. Take a knife and cut open the earth, and with time the grass would heal it. As if you cut open the rock and polished it.

--Maya Lin 

At the age of 21 and not yet graduated from college, Maya Lin won a national design competition for the planned Vietnam Veterans Memorial in Washington, D.C. This was back in 1981, and while she's done a lot of worthwhile architectural designing since then, the memorial remains her most well-known work.