7. Do Not Go Gentle Into That Good Night
Cancelled!
About six months later, something else came to an end.
Though the original
Star Trek
began and ended its three-year run in the 1960s, in some ways it was just as much
a show of the 1970s. As the reruns were now in syndication, that's when most people saw it for the first time. In fact, that's
when it finally became a hit.
Now, that in itself was not so unusual.
After all,
Gilligan's Island was another 1960s show that got mediocre
ratings during its original run, only to go on to great success in 1970s
syndication. However, the seven stranded castaways...
...never got their own convention. The first one on record for
Star Trek took place in January, 1972 at the Statler Hilton Hotel in New York City.
Organizers expected 500 people. 3000 showed up. Soon, there were
Trek conventions everywhere.
Though
he appeared at many of those conventions, Leonard Nimoy was somewhat
ambivalent about the show's new found success, as witnessed by this
book he came out with in the mid-'70s.
Nevertheless,
Nimoy lent his voice to the Saturday morning cartoon version, as did
all of the original cast members except Grace Lee Whitney (Yeoman Rand, who
didn't even survive the original live-action series first season) and
Walter Koenig (Chekov, cut for budgetary reasons.) This new version was
produced by Gene Roddenberry and D.C. Fontana (via the Filmations
animation studio) and original series writers such as David Gerrold
contributed scripts. Thus, story-wise, the show was highly sophisticated
for a Saturday morning cartoon (and for a few prime-time live-action
series as well), which won it a Daytime Emmy but perhaps went over the
heads of kids used to
Scoopy Do, Where Are You? It lasted just two seasons, but--wouldn't you know?--now has a cult following all its own.
Undaunted,
and well aware how well the reruns were doing in syndication--by now
they were the most successful reruns in history--Gene Roddenberry went to the
studio that now owned the show he created with a proposal for a new series called
Star Trek: Phase Two,
with all the original actors, except for Nimoy, who really did want to
put the character behind him. He was at this time host of
In Search of,
a weekly documentary that examined such subjects as Bigfoot, the Loch
Nech Monster, and the Bermuda Triangle. How logical Spock would have
found belief in such things is hard to say, but Nimoy's
authoritative, commanding presence certainly made it seem like it was
hard science you were watching. The show did very well in
syndication, so maybe
that was the logic. Since this new series,
in its own way, was also about exploring the unknown, I'm not sure Nimoy
was really putting his Vulcan past behind him. Indeed, this new series
was trading off his old character's and
Trek's very strangeness (Rod Serling, of the equally strange
The Twilight Zone, was slated to host
In Search of but died before it went into production.) Good for Nimoy, but, c'mon,
Star Trek
without Spock? All the Paramount execs knew was that the old show was
popular, and a new one could be, too. They gave Roddenberry the
go-ahead.
Then
20th Century Fox came along and proved, much to everyone's surprise at
the time (including the studio itself) that there were an awful lot of
moviegoers out there who would plunk down money for a big screen science fiction
space adventure. And so rival Paramount asked itself: why limit our own science
fiction space property, er, adventure, to the small screen?
Next: Lights! Camera! Existentialism!
